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In England, where the Industrial Revolution was more advanced than in the other European countries, the middle class had to struggle for its own theatres against the entrenched power of the two patent houses (licensed by the Crown), Drury Lane and Covent Garden, which had enjoyed an almost total monopoly of dramatic theatre since 1660.

In western Europe a different pattern of development emerged, varying considerably in each country but having the unified features of a demand for “realism” on the stage, which meant a faithful reflection of the life-style and domestic surroundings of the rising class in both its tragic and its comic aspects an adjunct to this development was the demand for increased decorum and cleanliness in the auditorium. In those countries that experienced revolutionary change or failure, national theatres were founded to give expression to the views and values of the middle class, whose aspirations in these cases coincided with a more general movement of national liberation. Throughout Europe the middle class took over the theatres and effected changes in repertoire, style, and decorum. Underlying the theatrical developments of the 19th century, and in many cases inspiring them, were the social upheavals that followed the French Revolution. The evolution of modern theatrical production

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#Industrial revolution simple comic how to

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